Sunday 12 April 2015

Howlin Wolf-Totally Shuffled extract



 
December 12th

Howling Wolf-The Red Rooster –Chess 7” single  



It’s getting quite close to the end of the year and therefore to the end of this book. This may be the last blues track that shows up and if it is, then it’s not a bad way to go. Anything by the great Howling Wolf has to be worth a listen; like Blind Willie McTell and very few others that I’ve written about this year, there simply isn’t one single track by him that’s duff. You could pick any Howling Wolf track at random and not be disappointed-they are all equally as good as each other. It would be so simple to make a Howling Wolf mixtape-all you’d need to do is to pick any 80 minutes or so of his music and you’d be done. Even Dylan and The Fall (as much as I love them), have recorded and released the odd track that is frankly,crap and not worthy of attention; not so with Howling Wolf-everything he did hit the mark perfectly.      

He was a true giant of a man; both figuratively and literally. He stood in at 6 foot 3 inches and weighed 300 pounds. His feet were that big that he couldn’t find a pair of shoes either long enough or wide enough to fit him; whenever he bought a new pair of shoes he had to cut them with a razor so his feet would fit. On shaking hands with Wolf, Marshall Chess (of Chess Records) said that, “My hand was a little nothing inside his.”

But musically, well, that was a whole different ballgame. Howling Wolf learned his trade at the feet of the greatest Delta bluesman, Charley Patton. This is not just a figure of speech-Patton actually taught him how to play guitar and many of Wolf’s songs can be more or less traced back to Patton’s work. (This track for instance, although credited to Willie Dixon, is, in the words of Howlin’ Wolf, “a Charley Patton tune”). He first met Patton when he was 20 and went on to play with many of the notable blues artist of all time; Robert Johnson, The Mississippi Sheiks, Robert Lockwood Jr, Blind Lemon Jefferson, Tommy Johnson and many others. Sonny Boy Williamson II taught him the harmonica. His idol was the country singer Jimmy Rogers. Wolf tried to emulate Rogers’ famous yodelling but couldn’t manage it; it came out as a growl. “So I kept on howlin’. And it done me fine.” Wolf only started recording in 1950 at the age of 40 in Sam Phillips Sun studios. This was all before he left the South and drove to Chicago to become the Chicago blues master he is best thought as.   

When you work though all the different musicians Howlin’ Wolf had direct contact with, it’s absolutely jaw-dropping. His first band included Matt “Guitar” Murphy, as well as harmonica player Junior Parker (of “Mystery Train” fame); and at times he recorded with Ike Turner, Bo Diddley and many other greats. His finest pick was persuading one of the finest blues guitarists of all time, Herbert Sumlin, to move from the South and join his band in Chicago. Sumlin stayed a part of his band for over 20 years. I could go on and on for another 500 words and another 500 after that about Howlin’ Wolf, but the only thing that needs to be done is to hear the 2 minutes 25 seconds of this song.      

         

This is an extract from "Totally Shuffled-A Year of Listening to Music on a Broken iPod"
        


  and what "Totally Shuffled" is all about:



One track per day for 366 days on a broken iPod. 
366 tracks out of a possible 9553. 
From the obvious (The Rolling Stones), to the obscure (Karen Cooper Complex). 
From the sublime (The Flaming Lips) to the risible (Muse).   
From field recordings of Haitian Voodoo music to The Monkees. 
From Heavy Metal to Rap by way of 1930’s blues, jazz, classical, punk, and every possible genre of music in between. 
This is what I listened to and wrote about for a whole year, to the point of never wanting to hear any more music again. Some songs I listened to I loved, and some I hated. Some artists ended up getting praised to the skies and others received a bit of critical kicking. 
There’s memories of spending too many hours in record shops, prevaricating over the next big thing and surprising myself over tracks that I’d completely forgotten about. 
But with 40 years of listening to music, I realised that I’ll never get sick of it.  I may have fallen out of love with some of the songs in this book, but I’ll never fall out of love with music.     



Get/read Totally Shuffled here

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